Difference between revisions of "AY Honors/Māori Lore/Answer Key"

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[[Image:TaputapuateaMarae02.jpg|thumb|390px|Taputapuātea, an ancient marae at Ra'iātea in the Society Islands, restored in 1994.]]A '''marae''' (in New Zealand [[Māori]], [[Cook Islands Maori]], [[Tahitian]]) '''mala{{okina}}e''' (in [[Tongan]]), '''malae''' (in [[Samoan]] and [[Hawaiian language|Hawaiian]]), is a sacred place which served both religious and social purposes in pre-Christian [[Polynesian]] societies. In all these languages, the word also means "cleared, free of weeds, trees, etc." It generally consists of an area of cleared land roughly rectangular (the marae itself), bordered with stones or wooden posts (called ''au'' in Tahitian and Cook Islands Māori) perhaps with terraces (''paepae'') which were used in olden times for ceremonial purposes; and with a central stone ''ahu'' or ''a'u'' (sometimes as in the [[Rapanui]] culture's [[Easter Island#Ahu|ahu]] on [[Easter Island]] "ahu" becomes a synonym for the whole marae complex).  
+
[[Image:Poi-manutuke.jpg|thumb|280px|Poi dance, by Manutuke School at Hopuhopu, New Zealand, 2003]]'''Poi''' is a form of [[juggling]] with balls on ropes, held in the hands and swung in various circular patterns, similar to [[Indian clubs|club-twirling]]. It is commonly said to have originally been practiced by the [[Māori]] people of [[New Zealand]], however modern poi is more of a combination of spinning arts from around the world.  (the word ''poi'' means "ball"  in [[Māori language|Māori]]). Women and men used it to increase flexibility, strength, and coordination. It developed into a traditional performance art practiced mostly by women. This art, in conjunction with others including ''waiata a ringa'', [[haka]] and ''titi torea'', make up the performance of [[kapa haka]] (Māori culture groups).
  
In some modern Polynesian societies, notably that of the Māori of New Zealand, the marae is still a vital part of everyday life. However, in tropical Polynesia, most marae were destroyed or abandoned with the arrival of Christianity in the 19th Century and some of them have become an attraction for tourists or archaeologists. Nevertheless, the place where the marae were built are still considered as [[tapu]] in most islands and nobody would dare build anything on it. In the Cook Islands, a few marae (Arai-te-Tonga, Vaerota, Taputapuātea<ref>Rarotongan tradition holds that Taputapuātea marae at Rarotonga, which archaeologists have dated to the 13th century, was built by Tangi'ia who brought the central stone with him from the ancient marae of the same name at Ra'iātea.Indeed, it seems that it was quite usual in ancient times to take a stone from this marae. ''The son of Tetupaia and Teu had not only the right to a seat in the great Marae of Taputapuatea in Raiatea, but he could take his stone from Taputapuatea and set it up in his own district of Pare Arue (Tahiti), so founding a Marae Taputapuatea of his own to wear the Maro-'ura (red waist girdle of the ariki)in.'' Ta'aroa Marau, "Memoirs of Arii Tamai e marama of Eimo Teriirere of Tooarai Terinui of Tahiti Tauraatua i Amo"
+
== Modern poi ==
</ref>) are still maintained, and are quickly tidied up before the investiture of a new ariki.  
+
[[Image:Poi circles.jpg|280px|thumb|Glowstick poi]]Today, poi extends past the original Māori culture. A [[subculture]] has sprung up in a few places, surrounding poi spinning as a hobby, exercise, or performance art. Poi dancers can sometimes be found performing alongside jugglers, staff spinners and other similar performers.
  
== Marae in New Zealand ==
+
=== Practice poi ===
[[Image:Taupiri.jpg|thumb|right|390px|A marae beneath Taupiri mountain, Waikato district, 19th century]]In Māori society, the marae is a place where the culture can be celebrated, where the Māori language can be spoken, where intertribal obligations can be met, where customs can be explored and debated, where family occasions such as weddings and birthdays can be held, and where important ceremonies, such as welcoming visitors or farewelling the dead (''tangihanga''), can be performed. Like the related institutions of old Polynesia, the marae is a ''wāhi tapu'', a 'sacred place' which carries great cultural meaning.
+
Many people start out using a simple pair of practice poi. These are usually constructed from something soft, in order to lessen the frequency of beginners suffering the inevitable minor bruises. Rolled up [[sock]]s, [[bean bag]]s or small soft toys on strings are often used. Children in schools often make poi using plastic grocery bags and crumpled tissue paper or synthetic stuffing. Generally, poi spinners start out with very simple moves, gradually learning to involve more complexity and (eventually) a full performance routine. Many find it helpful to practice spinning their poi to music, in order to keep a rhythm.
  
In Māori usage, ''marae'' is technically the enclosed space in front of a ''wharenui'' or meeting house (literally "big house"). However, it is generally used to refer to the whole complex, including the buildings and the open space.<ref>This sense of the word is now common in [[New Zealand English]]. Like most Māori words, it is unchanged in the plural.</ref> An unambiguous term for the area in front of the wharenui is ''marae ātea''.  This area is used for ''pōwhiri'' - welcome ceremonies featuring oratory. Some marae do not allow women to perform oratory there. The meeting house is the locale for important meetings, sleepovers, and craft and other cultural activities. The ''wharekai'' (dining hall) is used primarily for communal meals, but other activities may be carried out there. Many of the words associated with marae in tropical Polynesia are retained in the Māori context. For example, the word ''paepae'' refers to the bench where the speakers sit; this means it retains its sacred and ceremonial associations.
+
=== Performance poi ===
 +
Dancers and performers use brightly colored poi, either homemade or bought at juggling shops or a number of online stores. [[Fluorescence|Fluorescent]] colored tails and streamers attached to the poi allow a number of beautiful patterns to be created in the air by the performer, and many spinners pride themselves on the patterns they can make, and the accuracy of their spinning. A number of different forms of poi can be bought, from brightly coloured cones to cloth blades that can look like dragonfly wings.
  
===Legal status===
+
A variation on this is 'Flag poi', consisting of large sheets of lightweight fabric which can be spun round in the same way as regular poi. Often made of reflective or [[fluorescence|UV-sensitive]] material, these spin quite slowly and can create the effect that the performer is wrapped in sheets of rippling fabric. The weight and drag created by these flags, however, necessitates the spinner to ensure precision of movement and timing. It is difficult for a beginner to grasp.
A marae is a meeting place registered as a reserve under the Te Ture Whenua Maori Act of 1993 ('The Māori Land Act'). Each marae has a group of trustees who are responsible for the operations of the marae. The act governs the regulation of marae as reservations and sets out the responsibilities of the trustees in relation to the beneficiaries. Generally each marae has a charter which the trustees have negotiated with the b ding fries aare done eneficiaries of the marae. The charter details matters such as:
 
*the name of the marae, and a description of it;
 
*a list of the beneficiaries: usually [[iwi]] (tribes), [[hapu|hapū]] (sub-tribes) or [[whānau]] (families); in some cases, the marae is dedicated to the common good of the people of New Zealand.
 
*the me
 
  
===Tribal, church, and educational uses===
+
=== Glow poi ===
[[Image:Tanenuiarangi.jpg|390px|right|thumb|Waipapa marae, University of Auckland, New Zealand. The grassed area in front of the meeting house is the ''marae ātea'']]Most tribes and subtribes and even many small settlements have their own marae. An example of such a small settlement with its own marae is at Hongoeka Bay, [[Plimmerton]], the home of renowned writer [[Patricia Grace]]. Since the second half of the 20th century, Māori in urban areas have been establishing intertribal marae such as Maraeroa in eastern [[Porirua]]. For many Māori, the marae is just as important to them as their own homes.
+
[[Phosphorescence|Glow in the dark]] poi are available from a number of places, as are glow in the dark gloves, UV-sensitive poi and poi containing [[light-emitting diode|LED lights]] that make them shine. Different types of poi can be used to create different effects, depending on the setting. Poi containing small [[strobe]]s, for instance, can be used to create special effects.
  
Some New Zealand churches also operate marae of their own, in which all of the functions of a traditional marae are carried out. Churches operating marae include the Anglican, Presbyterian, and Catholic churches. In recent years, it has become common for educational institutions, including primary and secondary schools, technical colleges, and universities, to build marae for the use of the students and for the teaching of Māori culture. These marae may also serve as a venue for the performance of official ceremonies relating to the school. The marae of the [[University of Auckland]], for instance, is used for graduation ceremonies of the Māori Department, as well as welcoming ceremonies for new staff of the University as a whole. Its primary function is to serve as a venue for the teaching of ''whaikōrero'' (oratory), Māori language and culture, and important ceremonies for distinguished guests of the University.
+
By far the simplest method used is a glowstick. Glowstick poi are popular at [[music festival|festivals]] and [[rave]]s.
  
===[[Rapa Nui]]/Easter Island===
+
=== Fire poi ===
In the remote southeastern corner of the [[Polynesian Triangle]] elements of the traditional [[Polynesian]] [[marae]] evolved into the [[Rapa Nui]]/Easter Island ''[[easter Island#Ahu|Ahu]]'' & their iconic [[Moai]] (giant forms of Polynesian statues).
+
[[Image:Maitre du feu.jpg|280px|thumb|Fire poi]]Considered by some to be the "ultimate" performance poi, [[fire dancing|fire poi]] are constructed from chain, with [[kevlar]] blend wicks, sometimes also stuffed on the inside with more absorbing non-melting material such as cotton, that can be soaked in fuel and set on fire; usually [[paraffin]], [[kerosene]], [[naphtha]] (also called "white gas", "camping fuel", or "[[Coleman Company|Coleman]] fuel") or a similar household fuel is used - as gasoline / petrol burns too quickly for either safety or performance longevity and is much more toxic it is generally avoided where other options are available but is still popular in poorer countries. Likewise alcohol and lighter fluid are considered too dangerous and not sufficiently long lasting due to their low flash point and volatility.
See:
 
* [[Ahu Tongariki]]
 
* [[Ahu Akivi]]
 
  
===''[[Tahiti]]''===
+
Fire performances can be interesting for both audience and performer, provided the poi spinner is good enough that they can control the fire poi without putting anyone (particularly themselves) at risk.
  
During the 1994 restoration of Taputapuātea marae at Ra'iātea by archaeologists from the Tahiti Museum, human bones were discovered under some of the structures; apparently, the remains of sacrifices to {{Okina}}Oro.
+
Many kinds of fire poi are available, the simplest utilizing two wicks. The fire wicks are generally one of three varieties: a cylindrical wrap, cathedral stack (square) or a [[Monkey's fist|monkey fist knot]] tied with kevlar blend rope. Some experienced performers like to pick and choose their wicks, according to the performance they intend to give - controlling their burn time and the brightness of the flames. More advanced fire poi can have multiple wicks.
  
==See also==
+
A variation called ''fire snakes'' (sometimes referred to as ''Fire Ropes'') consists of a length of kevlar blend rope that can produce a long flame. These can look stunning when used by a skilled performer, resulting in them being surrounded by sheets of flame.
*[[List of Marae in the Gisborne Region]]
 
  
==External links==
+
== Poi tricks ==
*[http://history-nz.org/maori5.html New Zealand in History: the marae - meeting place]
+
{{main|Poi tricks}}
*[http://www.bondy.ird.fr/pleins_textes/pleins_textes_4/sci_hum/04184.pdf Gérard, Bertrand, ''Le marae : description morphologique'' in Cahiers des Sciences Humaines, 1978, Vol. 15, No 4, p. 407-448. Architecture and morphology of Society Islands Marae]
+
Poi has become known among a few communities. As with many subculture sports and pastimes, poi spinners often spend hours mastering their tricks.
*[http://www.nzetc.org/tm/scholarly/tei-HutColl-t1-g1-t2-body-d1.html John Joseph Knight Hutchin, ''E Tuatua no te apai atinga ki mua i te marae, i te tuatau etene anga'' ("Tale of the offerings at the marae in heathen time") in "Collected songs and legends from the southern Cook Islands (c. 1883-1912)", notebook 2]
 
  
==Notes==
+
Some popular poi tricks include: reels, weaves, fountains, crossovers and windmills.
<references/>
 
  
==References==
+
Split time and split direction moves are possible, and some of the more difficult moves require a considerable amount of manual dexterity, coordination and forearm strength to accomplish.
*Hirini Moko Mead, 2003. ''Tikanga Māori: Living by Māori Values.'' Huia Publishers: Wellington.
 
  
[[Category:Māori words and phrases]]
+
There are several basic classes of trick. The two poi are usually spun in parallel planes, and can be spun in the same direction (weaves) or opposite directions (butterflies). Moves such as stalls and wraps can change direction of one (or both poi) to change between these two classes.
 +
 
 +
=== Weaves ===
 +
[[Image:poibuzzsaw.jpg|thumb|280px|Performing the buzzsaw with fire poi, Rachel Robinson]]Weaves are a class of trick based around the "basic weave". Considered by many poi swingers to be one of the staple moves, the basic (three-beat) weave is often one of the first tricks learned. The basic weave is called "three-beat" because each poi spins three times in a cycle: once on the same side of the body (e.g. left-hand poi on left side) and twice on the opposite side. Backwards weaves, behind the back weaves, and 2-beat, 4-beat, 5-beat, 7-beat and other weaves are also possible.
 +
 
 +
=== Butterflies ===
 +
The butterfly is a simple trick in which the hands are held close together in front of the spinner and the poi spin in opposite directions flat to the spinner, so that the poi cross at the top and bottom of their circles. This move can be done behind the head, behind the back and extended to any number of moves; there are as many variations on the butterfly possible as there are for the weave. Highly skilled performers perform this with 4 poi (two in each hand) to execute a double butterfly. In each hand, one is held out of each end of a fist. The most expert practitioners do this with 6 poi balls so that a third one-footed butterfly can be performed with the other foot. However, impressive though this last one certainly is, the majority of poi performers consider such things to have no real use, as there's no real way for the performer to use such a thing as part of a dance whilst keeping the fluidity of movement intact.
 +
 
 +
=== Wraps ===
 +
A wrap is a move where one or both poi are wrapped around something, most typically part of the body, to change the path or direction of spin. There are two types of wrap: basic or recoil wraps wrap around the target and then bounce off, so that the poi ends up spinning in the opposite direction to which it started from; and thru-wraps which wrap around a moving body part, so that the direction stays the same but the poi changes the path it is travelling along. Typical targets for a wrap are the arms and legs, although any body part is suitable - one of the more dangerous places to perform wraps is around the neck. Double-neck thru-wraps are perhaps the most dangerous move that can be done with fire poi, due to the risk of the poi tangling.
 +
 
 +
=== Flowers ===
 +
Flowers are a visually impressive set of moves in which the poi spinner fully extends their arms and moves them in circles around the body while spinning the poi. When done in time this gives rise to a series of loops around a large circle, which look like the petals of a flower when viewed from the side.  Flowers are sometimes called compound circles.
 +
 
 +
=== Further tricks ===
 +
Isolations refer to a class of moves where the poi handle is also spun in a circle. "Perfect" isolation occurs when the poi handle and poi are moving in the same circle, and can usually create distinctive synchronised moves (e.g. cranks). Hyperloops are where the poi ropes becomes entangled (twisted up) and then untangled, keeping the ends spinning the entire time. Advanced spinners are also able to spin their moves in places such as behind the back and between the legs.
 +
 
 +
== Poi construction ==
 +
[[Image:Feuerpois02.JPG|thumb|280px|Fire poi in action (long exposure)]]Many poi spinners, amateur and professional alike, prefer to create their own poi. A simple pair of practice poi require little more than a pair of socks and a couple of tennis balls. More impressive poi can be made from a multitude of different materials. Kite cords are lightweight and readily available. Chain is a more durable alternative to regular cord. Ball chains can rotate freely so as to prevent tangling, and metal cables can make for extremely fast poi. Long socks can also be used with a weight in one end and a knot in the other. More advanced spinners may add a weight to the handle, in order to improve their ability to perform advanced techniques (such as throws and contact poi).
 +
 
 +
Kevlar blend wicks and a variety of poi heads can be bought either from juggling shops or online, and a number of different kinds of hand grip are available too. This way a performer can customise their poi to suit their own personal preference.
 +
 
 +
== Some related performance arts ==
 +
Following are a number of arts from different cultures that bear similarities to poi. Altogether these disciplines (along with more familiar circus skills such as juggling, diablo and devil sticks) are often referred to as ''Object Manipulation''.
 +
 
 +
; Staff : [[Staff (stick)|Staffers]] are one of the largest factions in the juggling community. In a similar way to poi spinners, staff spinners use one or two staffs to make a variety of patterns. Staffs, being large blunt objects, are known for being slightly more dangerous than poi when beginning, however this is a misconception, especially in the case of fire staff. Poi are far more dangerous when on fire, as their chains are prone to heating up and can cause serious burns if they wrap around exposed flesh (usually the wrists). One advantage of the staff is that it can be passed from hand to hand or rolled over a part of the body, such as the neck. This is called contact staffing. Many similar techniques can be employed to those found in martial arts like [[Bōjutsu|bōjutsu]].
 +
 
 +
; Glowstringing : [[Glowstringing]] is a similar art to poi, largely developed and advocated by the rave community, before spreading throughout [[electronic music]] culture. It involves spinning glowsticks to make patterns in the air at raves or in the club scene. While often mistaken for poi, it is in fact a separate discipline, and the two styles have had some influence on each other. Some people would argue that there is no difference at all between the disciplines as they both use the same tricks and equipment to some extent, the only real difference is the ''scene''.
 +
 
 +
; Club swinging : Using regular [[Juggling Clubs|juggling clubs]], the head of the club can be held in the palm, and the club swung in poi-like patterns. Many poi moves can be attained this way, and as clubs can be stopped at any point of their swing, or swung as slowly as you like, some poi spinners find them useful in learning more difficult poi moves in 'slow motion'. Club swinging is, however, a completely separate discipline with its own techniques and performers.
 +
 
 +
; Sword spinning : Taking influence from the [[sword]] displays of the [[Shaolin (martial arts)|Shaolin monks]], some performers learn to do tricks with swords. Swords require a lot more suppleness of the wrists, but can be far faster and more dramatic than poi performances. Practicing with [[bokken]] (Japanese wooden practice swords) or simple wooden staves is advisable, but when a performer is skilled enough, fire swords can be bought and/or constructed.
 +
 
 +
; Nunchaku : [[Nunchaku]], as popularized in the media by actor [[Bruce Lee]], employ many similar techniques to poi. While originally a weapon, some companies now produce LED-lit nunchaku which can be used to create unique patterns in performances, though nunchaku remains (and is often regulated as) a weapon. See also: [[Freestyle nunchaku]]
 +
 
 +
; Meteor : A [[Meteor hammer|meteor]] (known to martial artists as a [[meteor hammer]] or meteor fist) is long rope, weighted on both ends, often with a [[monkey's fist|monkeyfist knot]]. It can be used similarly to poi as well as a staff, by keeping very precise timing so that the two balls exert equal [[centripetal force]] on each other and move in sync. Originally a Chinese weapon, meteor are extremely difficult to control. [[Fire meteor]]s and other variations of this tool also exist.
 +
 
 +
== Safety ==
 +
Depending on their construction, poi can strike the user (or bystanders) with enough force to cause bruising or minor injury. Fire poi can cause burns because the metal parts become very hot and have a very high [[heat transfer coefficient]]. The actual wick has a lower coefficient and is less likely to cause burns, but it can spray or spread fuel and the performer's clothing can catch fire. Costumes for fire spinning should be made of non-flammable materials, such as [[cotton]] and [[leather]]. Synthetic fibers tend to melt when they burn and can cause very severe burns.
 +
 
 +
Fire poi require a safety regime to deal with the risks of setting on fire either the user, bystanders, or the surroundings. All fire performances should have a sober, rested, and alert spotter who has access to a [[fire extinguisher]] (for putting out material and fuel fires), a damp towel (for extinguishing burning clothes and for extinguishing fire toys at the end of a performance), and a bucket of water (in case a clothing fire gets out of control). The fuel dump should be a metal container located far from the performance area that can quickly be sealed so as to be airtight. This will provide a means to extinguish a fire in the fuel dump. A paint can is an ideal example.
 +
 
 +
== See also ==
 +
*[[Poi tricks]]
 +
*[[Fire dancing]]
 +
*[[Juggling]]
 +
*[[Circus skills]]
 +
*[[Glowsticking]]
 +
*[[Diabolo]]
 +
 
 +
== External links ==
 +
*[http://www.maori.org.nz/waiata/?d=page&pid=sp103&parent=86/ Maori.org.nz] Traditional Māori poi performance
 +
*[http://www.homeofpoi.com/ Home of Poi] One of the largest and most influential poi communities in the world.
 +
*[http://www.spherculism.net/ Spherculism]~ Advancing the moving arts
 +
*[http://artofpoi.tribe.net/ Tribe.net's Art of Poi] Forum, photo gallery, and event calendar.
 +
*[http://www.fire-dancing.com/fire-poi.php Fire Poi] World-wide fire poi trainers & performers.
 +
*[http://www.playpoi.com/ PlayPoi] Poi website featuring videos and photos, both artistic and instructional
 +
*[http://www.domorepoi.com/ Do More Poi] Poi Lessons, Forums, Funkiness.
 +
*[http://www.poipoi.info/tuition/ Poi Poi Tuition Resource] Downloadable Poi lessons, and an active poi community
 +
*[http://www.drama.org.nz/ejournal.asp?ID=2 Research in New Zealand Performing Arts] - a free online research journal that discusses Maori music and related performing
 +
*[http://www.templeofpoi.com Temple of Poi] First US based full time poi school offering in person and downloadable poi lessons as well as photos and videos.
 +
arts.
 +
[[Category:Poi spinning]]
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[[Category:Fire arts]]
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[[Category:Circus skills]]
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[[Category:New Zealand culture]]
 
[[Category:Māori]]
 
[[Category:Māori]]
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[[Category:Dance props]]
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[[Category:Twirling]]
  
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Revision as of 01:15, 6 November 2007

Poi dance, by Manutuke School at Hopuhopu, New Zealand, 2003

Poi is a form of juggling with balls on ropes, held in the hands and swung in various circular patterns, similar to club-twirling. It is commonly said to have originally been practiced by the Māori people of New Zealand, however modern poi is more of a combination of spinning arts from around the world. (the word poi means "ball" in Māori). Women and men used it to increase flexibility, strength, and coordination. It developed into a traditional performance art practiced mostly by women. This art, in conjunction with others including waiata a ringa, haka and titi torea, make up the performance of kapa haka (Māori culture groups).

Modern poi

Glowstick poi

Today, poi extends past the original Māori culture. A subculture has sprung up in a few places, surrounding poi spinning as a hobby, exercise, or performance art. Poi dancers can sometimes be found performing alongside jugglers, staff spinners and other similar performers.

Practice poi

Many people start out using a simple pair of practice poi. These are usually constructed from something soft, in order to lessen the frequency of beginners suffering the inevitable minor bruises. Rolled up socks, bean bags or small soft toys on strings are often used. Children in schools often make poi using plastic grocery bags and crumpled tissue paper or synthetic stuffing. Generally, poi spinners start out with very simple moves, gradually learning to involve more complexity and (eventually) a full performance routine. Many find it helpful to practice spinning their poi to music, in order to keep a rhythm.

Performance poi

Dancers and performers use brightly colored poi, either homemade or bought at juggling shops or a number of online stores. Fluorescent colored tails and streamers attached to the poi allow a number of beautiful patterns to be created in the air by the performer, and many spinners pride themselves on the patterns they can make, and the accuracy of their spinning. A number of different forms of poi can be bought, from brightly coloured cones to cloth blades that can look like dragonfly wings.

A variation on this is 'Flag poi', consisting of large sheets of lightweight fabric which can be spun round in the same way as regular poi. Often made of reflective or UV-sensitive material, these spin quite slowly and can create the effect that the performer is wrapped in sheets of rippling fabric. The weight and drag created by these flags, however, necessitates the spinner to ensure precision of movement and timing. It is difficult for a beginner to grasp.

Glow poi

Glow in the dark poi are available from a number of places, as are glow in the dark gloves, UV-sensitive poi and poi containing LED lights that make them shine. Different types of poi can be used to create different effects, depending on the setting. Poi containing small strobes, for instance, can be used to create special effects.

By far the simplest method used is a glowstick. Glowstick poi are popular at festivals and raves.

Fire poi

Fire poi

Considered by some to be the "ultimate" performance poi, fire poi are constructed from chain, with kevlar blend wicks, sometimes also stuffed on the inside with more absorbing non-melting material such as cotton, that can be soaked in fuel and set on fire; usually paraffin, kerosene, naphtha (also called "white gas", "camping fuel", or "Coleman fuel") or a similar household fuel is used - as gasoline / petrol burns too quickly for either safety or performance longevity and is much more toxic it is generally avoided where other options are available but is still popular in poorer countries. Likewise alcohol and lighter fluid are considered too dangerous and not sufficiently long lasting due to their low flash point and volatility.

Fire performances can be interesting for both audience and performer, provided the poi spinner is good enough that they can control the fire poi without putting anyone (particularly themselves) at risk.

Many kinds of fire poi are available, the simplest utilizing two wicks. The fire wicks are generally one of three varieties: a cylindrical wrap, cathedral stack (square) or a monkey fist knot tied with kevlar blend rope. Some experienced performers like to pick and choose their wicks, according to the performance they intend to give - controlling their burn time and the brightness of the flames. More advanced fire poi can have multiple wicks.

A variation called fire snakes (sometimes referred to as Fire Ropes) consists of a length of kevlar blend rope that can produce a long flame. These can look stunning when used by a skilled performer, resulting in them being surrounded by sheets of flame.

Poi tricks

Template:Main Poi has become known among a few communities. As with many subculture sports and pastimes, poi spinners often spend hours mastering their tricks.

Some popular poi tricks include: reels, weaves, fountains, crossovers and windmills.

Split time and split direction moves are possible, and some of the more difficult moves require a considerable amount of manual dexterity, coordination and forearm strength to accomplish.

There are several basic classes of trick. The two poi are usually spun in parallel planes, and can be spun in the same direction (weaves) or opposite directions (butterflies). Moves such as stalls and wraps can change direction of one (or both poi) to change between these two classes.

Weaves

File:Poibuzzsaw.jpg
Performing the buzzsaw with fire poi, Rachel Robinson

Weaves are a class of trick based around the "basic weave". Considered by many poi swingers to be one of the staple moves, the basic (three-beat) weave is often one of the first tricks learned. The basic weave is called "three-beat" because each poi spins three times in a cycle: once on the same side of the body (e.g. left-hand poi on left side) and twice on the opposite side. Backwards weaves, behind the back weaves, and 2-beat, 4-beat, 5-beat, 7-beat and other weaves are also possible.

Butterflies

The butterfly is a simple trick in which the hands are held close together in front of the spinner and the poi spin in opposite directions flat to the spinner, so that the poi cross at the top and bottom of their circles. This move can be done behind the head, behind the back and extended to any number of moves; there are as many variations on the butterfly possible as there are for the weave. Highly skilled performers perform this with 4 poi (two in each hand) to execute a double butterfly. In each hand, one is held out of each end of a fist. The most expert practitioners do this with 6 poi balls so that a third one-footed butterfly can be performed with the other foot. However, impressive though this last one certainly is, the majority of poi performers consider such things to have no real use, as there's no real way for the performer to use such a thing as part of a dance whilst keeping the fluidity of movement intact.

Wraps

A wrap is a move where one or both poi are wrapped around something, most typically part of the body, to change the path or direction of spin. There are two types of wrap: basic or recoil wraps wrap around the target and then bounce off, so that the poi ends up spinning in the opposite direction to which it started from; and thru-wraps which wrap around a moving body part, so that the direction stays the same but the poi changes the path it is travelling along. Typical targets for a wrap are the arms and legs, although any body part is suitable - one of the more dangerous places to perform wraps is around the neck. Double-neck thru-wraps are perhaps the most dangerous move that can be done with fire poi, due to the risk of the poi tangling.

Flowers

Flowers are a visually impressive set of moves in which the poi spinner fully extends their arms and moves them in circles around the body while spinning the poi. When done in time this gives rise to a series of loops around a large circle, which look like the petals of a flower when viewed from the side. Flowers are sometimes called compound circles.

Further tricks

Isolations refer to a class of moves where the poi handle is also spun in a circle. "Perfect" isolation occurs when the poi handle and poi are moving in the same circle, and can usually create distinctive synchronised moves (e.g. cranks). Hyperloops are where the poi ropes becomes entangled (twisted up) and then untangled, keeping the ends spinning the entire time. Advanced spinners are also able to spin their moves in places such as behind the back and between the legs.

Poi construction

Fire poi in action (long exposure)

Many poi spinners, amateur and professional alike, prefer to create their own poi. A simple pair of practice poi require little more than a pair of socks and a couple of tennis balls. More impressive poi can be made from a multitude of different materials. Kite cords are lightweight and readily available. Chain is a more durable alternative to regular cord. Ball chains can rotate freely so as to prevent tangling, and metal cables can make for extremely fast poi. Long socks can also be used with a weight in one end and a knot in the other. More advanced spinners may add a weight to the handle, in order to improve their ability to perform advanced techniques (such as throws and contact poi).

Kevlar blend wicks and a variety of poi heads can be bought either from juggling shops or online, and a number of different kinds of hand grip are available too. This way a performer can customise their poi to suit their own personal preference.

Some related performance arts

Following are a number of arts from different cultures that bear similarities to poi. Altogether these disciplines (along with more familiar circus skills such as juggling, diablo and devil sticks) are often referred to as Object Manipulation.

Staff
Staffers are one of the largest factions in the juggling community. In a similar way to poi spinners, staff spinners use one or two staffs to make a variety of patterns. Staffs, being large blunt objects, are known for being slightly more dangerous than poi when beginning, however this is a misconception, especially in the case of fire staff. Poi are far more dangerous when on fire, as their chains are prone to heating up and can cause serious burns if they wrap around exposed flesh (usually the wrists). One advantage of the staff is that it can be passed from hand to hand or rolled over a part of the body, such as the neck. This is called contact staffing. Many similar techniques can be employed to those found in martial arts like bōjutsu.
Glowstringing
Glowstringing is a similar art to poi, largely developed and advocated by the rave community, before spreading throughout electronic music culture. It involves spinning glowsticks to make patterns in the air at raves or in the club scene. While often mistaken for poi, it is in fact a separate discipline, and the two styles have had some influence on each other. Some people would argue that there is no difference at all between the disciplines as they both use the same tricks and equipment to some extent, the only real difference is the scene.
Club swinging
Using regular juggling clubs, the head of the club can be held in the palm, and the club swung in poi-like patterns. Many poi moves can be attained this way, and as clubs can be stopped at any point of their swing, or swung as slowly as you like, some poi spinners find them useful in learning more difficult poi moves in 'slow motion'. Club swinging is, however, a completely separate discipline with its own techniques and performers.
Sword spinning
Taking influence from the sword displays of the Shaolin monks, some performers learn to do tricks with swords. Swords require a lot more suppleness of the wrists, but can be far faster and more dramatic than poi performances. Practicing with bokken (Japanese wooden practice swords) or simple wooden staves is advisable, but when a performer is skilled enough, fire swords can be bought and/or constructed.
Nunchaku
Nunchaku, as popularized in the media by actor Bruce Lee, employ many similar techniques to poi. While originally a weapon, some companies now produce LED-lit nunchaku which can be used to create unique patterns in performances, though nunchaku remains (and is often regulated as) a weapon. See also: Freestyle nunchaku
Meteor
A meteor (known to martial artists as a meteor hammer or meteor fist) is long rope, weighted on both ends, often with a monkeyfist knot. It can be used similarly to poi as well as a staff, by keeping very precise timing so that the two balls exert equal centripetal force on each other and move in sync. Originally a Chinese weapon, meteor are extremely difficult to control. Fire meteors and other variations of this tool also exist.

Safety

Depending on their construction, poi can strike the user (or bystanders) with enough force to cause bruising or minor injury. Fire poi can cause burns because the metal parts become very hot and have a very high heat transfer coefficient. The actual wick has a lower coefficient and is less likely to cause burns, but it can spray or spread fuel and the performer's clothing can catch fire. Costumes for fire spinning should be made of non-flammable materials, such as cotton and leather. Synthetic fibers tend to melt when they burn and can cause very severe burns.

Fire poi require a safety regime to deal with the risks of setting on fire either the user, bystanders, or the surroundings. All fire performances should have a sober, rested, and alert spotter who has access to a fire extinguisher (for putting out material and fuel fires), a damp towel (for extinguishing burning clothes and for extinguishing fire toys at the end of a performance), and a bucket of water (in case a clothing fire gets out of control). The fuel dump should be a metal container located far from the performance area that can quickly be sealed so as to be airtight. This will provide a means to extinguish a fire in the fuel dump. A paint can is an ideal example.

See also

External links

arts.

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