Difference between revisions of "AY Honors/Whistles/Answer Key/es"

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< AY Honors‎ | WhistlesAY Honors/Whistles/Answer Key/es
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<!-- 3. ¿Qué es lo que las estaciones del año tienen que ver con hacer un silbato de sauce? -->
<!-- 3. What do the seasons of the year have to do with making a willow whistle? -->
 
[[File:Willow whistle.jpg|thumb|200px|Willow Whistle]]
 
Sap is a liquid that circulates within the sapwood of trees. Sap rises up from the roots. Sap contains water and minerals; in the spring it also contains sugars and stimulates the growth of the tree.
 
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<!-- 4. Nombrar dos árboles que hacen los mejores silbatos y por qué. Hacer una lista de otros tres árboles que se pueden utilizar para hacer silbatos. -->
<!-- 4. Name two (2) trees that make the best whistles and why. List three (3) other trees that can be used to make whistles. -->
 
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Willow and Maple trees (especially striped maple, ''Acer pensylvanicum'') are considered the best for making whistles. Willow is often more plentiful than maple, and they grow back very quickly when cut. Some prefer maple because it is straighter and has fewer knots. Maples also grow back quickly if cut from a large stump.
 
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Other trees that can be used for whistle-making include:
 
;Alder, aspen, and poplar: These species can also be used for making slip-bark whistles. As with any slip-bark whistle though, they should be made in the spring or early summer when the sap is up. After that, it's too difficult to slip the bark off the wood.
 
;Elderberry: Elderberry has a pithy core that can be easily removed. In this case, the bark is not used as the outer sheath, but rather, the whole twig is. You must find another piece of wood to fit tightly into the pith and shave off the top edge of it to make the whistle.
 
;Sumac: If you select a sumac tree, make sure it is not a poison sumac tree (''Rhus vernix''). All parts of the poison sumac contain the same resin as poison ivy and can cause a person to suffer from an itchy rash. Poison sumac has white berries. If the sumac has red berries, it is OK to use and will not cause a rash.
 
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<!-- 5. Dar una breve descripción de los siguientes estilos de silbatos: -->
<!-- 5. Give a brief description of the following styles of whistles: -->
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<!-- 6. Nombrar cinco clases de silbatos y sus usos. -->
<!-- 6. Name five (5) types of modern whistles and their uses. -->
 
;Pea Whistle: Pea whistles are used by referees in many sports. It is a whistle with a small ball trapped inside which makes a rattling sound as the whistle resonates.
 
;Transverse Flutes: Transverse flutes are a form of whistle used in modern orchestras. They are operated by blowing across a hole located on the mouthpiece.
 
;Tin Whistle: This is another form of musical whistle, but unlike the transverse flute, it is end-blown and has only six holes. It is an important instrument in Irish folk songs.
 
;Dog Whistes: Dog whistles are used for training dogs or for commanding them from a distance. Some of these are too high to be heard by humans, but dogs can hear them (and respond) just fine.
 
;Slide Whistle: A slide whistle is a whistle whose pitch can be varied by moving a slide. These are often considered novelty items (because of their use in cartoon sound effects), but also make an appearance in serious works of music in many cultures.
 
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<!-- 7. ¿Qué instrumento musical moderno es un sofisticado silbato? -->
<!-- 7. What modern musical instrument is a sophisticated whistle? -->
 
[[File:VariousRecorderFlutes.jpg|thumb|250px|Various Recorders]]The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes — whistle-like instruments which include the tin whistle and ocarina. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple.
 
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<!-- 8. ¿Cómo funciona un silbato? -->
<!-- 8. How does a whistle work? -->
 
The whistle works by causing the smooth flow of air to be split by a narrow blade, sometimes called a fipple, creating a turbulent vortex which causes the air to vibrate. By attaching a resonant chamber to the basic whistle, it may be tuned to a particular note and made louder. The length of the chamber typically defines the resonance frequency.
 
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<!-- 9. ¿Cuál es el equipo más común utilizado en hacer silbatos? -->
<!-- 9. What is the most common equipment used in making whistles? -->
 
In making a willow whistle, all that is needed is a sharp knife. A saw is handy too for cutting the branch from the tree, but this can be done with a knife too (just not as effectively).
 
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<!-- 10. Explicar la importancia de la veta de la madera en el tallado de un silbato. -->
<!-- 10. Explain the importance of wood grain in whittling a whistle. -->
 
For a slip-bark whistle, straight grain is important because it is easier to remove the bark intact from a piece of wood with straight grain. Grain becomes non-straight anywhere a branch grows a sub-branch. The bark will snag on these irregularities, making it difficult, if not impossible to remove.
 
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<!-- 11. ¿Por qué el tamaño de lo agujeros y la cámara debe ser proporcional a la cantidad de fluje de aire? -->
<!-- 11. Why must the size of the holes and chamber be proportional to the amount of airflow? -->
 
A whistle makes a tone as the chamber alternately fills with air and evacuates that air. This cycle repeats several hundred times per second, and the more times per second it repeats, the higher the pitch. There are three main factors that affect how often this cycle repeats: the length of the chamber, the size of the opening(s), and the speed of sound. The speed of sound is (for all intents and purposes) fixed. If the ratio of these other two factors get too "out of whack" with one another, the flute will no longer make a tone. If the chamber is too long, the flute will never resonate. Instead, the air will simply flow through from one end to the other without setting up the fill/exhaust cycles. If the chamber is too wide, it will not be able to confine the air to make it resonate, and the flute will whisper. <ref>http://www.softcom.net/users/greebo/fltphys.htm</ref>
 
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<!-- 12. ¿Cómo ajustar/entonar un silbato? -->
<!-- 12. How do you tune a whistle? -->
 
A whistle is tuned by changing the volume of the resonant chamber. This is primarily done by altering the length of the chamber, but altering the diameter will also have an effect.
 
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<!-- 13. Demostrar que se puede hacer un silbato de dos manos usando sus manos y un trozo de césped. -->
<!-- 13. Demonstrate that you can make a two-handed whistle using your hand and a piece of grass. -->
 
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File:Grass whistle 1.JPG|Hold the grass like this...
 
File:Grass whistle 2.jpg|...and blow through it
 
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Select a long, wide blade of grass. Prepare to hold your hands together as if to pray, with the lower portion of the thumbs touching one another, palms together, and with the tips of the thumbs touching. Lay the grass blade between the lower thumbs as you press them together. The upper portion of the blade will lie parallel to the thumbs and be pinched together by the thumb tips. Before pinching the upper portion of the blade, bend the thumbs slightly. Then pinch the grass blade between the tips of the thumbs (or the index fingers), and extend the thumbs (or index finger), pulling the grass taut.
 
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<!-- 14. Demostrar la técnica y tratar de lograr un silbido utilizando las manos o los dedos. -->
<!-- 14. Demonstrate the technique and try to accomplish a whistle using your hand(s) or fingers. -->
 
<gallery perrow=3 widths=250 heights=250>
 
File:Hand whistle 1.jpg|Press the tips of the fingers of the right hand together and place them in the left palm...
 
File:Hand whistle 2.jpg|...wrap the left hand around the right...
 
File:Hand whistle 3.jpg|...blow downwards through the gap between the thumbs.
 
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Hold the fingers of the right hand together and bring the tips into a tight circle. Place them in the web between your left thumb and index finger, enclosing the left hand about the right. The two thumbs should be parallel to one another and resting on the right index finger. This should form a cavity with a small gap opening into it between the upper and lower thumb knuckles. Bend the thumbs slightly and place your lower lip just below the top joint in the thumbs. Place the upper lip on the top joint and blow downwards into the cavity. If you're doing it right, it will make a whistling noise very similar to the call of mourning dove or a bob white. Try to keep the cavity air tight except where your breath enters between the thumbs. Once you are able to do this, try raising the pinky of your left hand while whistling. The pitch should rise. Quickly raising and lowering the pinky repeatedly will cause the whistle to quaver. Try not to drive anyone crazy with your new-found skill!
 
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<!-- 15. Revisar y demostrar primeros auxilios adecuados y normas de seguridad para el uso de una navaja de bolsillo. -->
 
<!-- 15. Revisar y demostrar primeros auxilios adecuados y normas de seguridad para el uso de una navaja de bolsillo. -->
{{:Adventist Youth Honors Answer Book/First aid/Bleeding/es}}<br />
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Para más información, véase la especialidad de [[AY Honors/First Aid, Basic/es|Primeros Auxilios]].
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Para más información, véase la especialidad de [[AY Honors/First Aid, Basic/es|Primeros auxilios]].
  
 
===Seguridad con la navaja===
 
===Seguridad con la navaja===
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<!-- 17. Realizar los siguientes silbatos: -->
<!-- 17. Make the following whistles: -->
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==Referencias==
 
==Referencias==
[[Category:Adventist Youth Honors Answer Book/es]]
 
 
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Latest revision as of 21:21, 14 July 2022

Other languages:
English • ‎español
Silbatos

Nivel de destreza

1

Año

2007

Version

20.11.2024

Autoridad de aprobación

Asociación General

Whistles AY Honor.png
Silbatos
Artes y actividades manuales
Nivel de destreza
123
Autoridad de aprobación
Asociación General
Año de introducción
2007
Vea también


1

Relatar brevemente la historia de cómo se fabricaron los silbatos y decir por qué se inventaron.



2

Explicar la importancia de la conservación en lo que respecta a hacer silbatos.



3

¿Qué es lo que las estaciones del año tienen que ver con hacer un silbato de sauce?



4

Nombrar dos árboles que hacen los mejores silbatos y por qué. Hacer una lista de otros tres árboles que se pueden utilizar para hacer silbatos.



5

Dar una breve descripción de los siguientes estilos de silbatos:


5a

Silbatos tipo tubo



5b

Silbatos tipo pan (flauta de pan)



5c

Silbatos tipo flauta




6

Nombrar cinco clases de silbatos y sus usos.



7

¿Qué instrumento musical moderno es un sofisticado silbato?




8

¿Cómo funciona un silbato?



9

¿Cuál es el equipo más común utilizado en hacer silbatos?



10

Explicar la importancia de la veta de la madera en el tallado de un silbato.



11

¿Por qué el tamaño de lo agujeros y la cámara debe ser proporcional a la cantidad de fluje de aire?



12

¿Cómo ajustar/entonar un silbato?



13

Demostrar que se puede hacer un silbato de dos manos usando sus manos y un trozo de césped.



14

Demostrar la técnica y tratar de lograr un silbido utilizando las manos o los dedos.



15

Revisar y demostrar primeros auxilios adecuados y normas de seguridad para el uso de una navaja de bolsillo.


Si ve a una persona que está sangrando mucho, puede hacer lo siguiente:

  1. Presione duro sobre la herida para detener el sangrado.
  2. Si se corta un brazo o una pierna, eleve el miembro.
  3. Cubra con una almohadilla limpia y ponga un vendaje.
  4. Verifique que el sangrado se ha detenido. Si no es así, puede añadir otra almohadilla y otro vendaje; no quite el vendaje anterior.
  5. Si ha vendado una extremidad, verifique frecuentemente que los dedos de la mano y dedos de los pies se mantienen cálidos. Si los dedos se están enfriando, afloje el vendaje para que la sangre circule.
  6. Para un sangrado severo (5 tazas de sangre o más), lleve a la persona a un hospital para recibir puntos de sutura (y posiblemente una inmunización contra el tétano) y mantenga la extremidad elevada.


Para más información, véase la especialidad de Primeros auxilios.

Seguridad con la navaja

  • Mantenga las cuchillas afiladas. Un cuchillo sin filo es difícil de empujar a través de la madera, lo que requiere una fuerza adicional. Cuando la madera finalmente se corta, la cuchilla sigue adelante.
  • Empuje siempre la hoja lejos de usted y considere constantemente la dirección de la hoja.
  • Mantenga sus dedos alejados de la hoja en todo momento.
  • Cuando parte la madera con un cuchillo, no clave en la parte posterior de la hoja. Esto debilita el apego a la empuñadura y la hoja se deforma.
  • Cierre una navaja de bolsillo cuando no está en uso o cuando la lleva.
  • Mantenga todo cuchillo lejos del calor. El calor suavizará la navaja. Una navaja suave no dará una ventaja, por lo que es casi imposible mantenerla aguda.



16

Saber cómo afilar una navaja utilizando una piedra húmeda para afilar o una piedra de aceite para afilar.



17

Realizar los siguientes silbatos:


17a

Flauta de pan (tubos)



17b

Flauta




18

Aprender a tocar una canción sencilla con cada silbato que ha hecho.




Referencias