AY Honors/Māori Lore/Answer Key

Poi dance, by Manutuke School at Hopuhopu, New Zealand, 2003

Poi is a form of juggling 'Impartial Art' (Finnigan, 1992) with balls on ropes, held in the hands and swung in various circular patterns, similar to club-twirling. It was originally practiced by the Māori people of New Zealand (the word poi means "ball" in Māori). Women and men used it to increase flexibility, strength, and coordination. It developed into a traditional performance art practiced mostly by women. This art, in conjunction with others including waiata a ringa, haka and titi torea, make up the performance of kapa haka (Māori culture groups).

Poi tricks

Template:Main Poi have become popular among the twirling and general dexterity play communities. As with many subculture sports and pastimes, poi spinners often spend hours mastering their tricks, gaining respect from their peers for managing more impressive stunts.

Some popular poi tricks include: reels, weaves, fountains, crossovers and windmills.

Split time and split direction moves are possible, and some of the more difficult moves require a considerable amount of manual dexterity, coordination and forearm strength to accomplish.

There are several basic classes of trick. The two poi are usually spun in parallel planes, and can be spun in the same direction (weaves) or opposite directions (butterflies). Moves such as stalls and wraps can change direction of one (or both poi) to change between these two classes.

Weaves

Fire poi, unlit

Weaves are a class of trick based around the "basic weave". Considered by many poi swingers to be one of the staple moves, the basic (three-beat) weave is often one of the first tricks learned. The basic weave is called "three-beat" because each poi spins three times in a cycle: once on the same side of the body (e.g. left-hand poi on left side) and twice on the opposite side. Backwards weaves, behind the back weaves, and 2-beat, 4-beat, 5-beat, and other weaves are also possible.

=== Butterflies ===pee prr The butterfly is a simple trick in which the hands are held close together in front of the spinner and the poi spin in opposite directions flat to the spinner, so that the poi cross at the top and bottom of their circles. This move can be done behind the head, behind the back and extended to any number of moves; there are as many variations on the butterfly possible as there are for the weave. Highly skilled performers perform this with 4 pois (two in each hand) to execute a double butterfly. In each hand, one is held out of each end of a fist. The most expert practitioners do this with 6 poi balls so that a third one-footed butterfly can be performed with the other foot.

Wraps

A wrap is a move where one or both poi are wrapped around something, most typically part of the body, to change the path or direction of spin. There are two types of wrap: basic or recoil wraps wrap around the target and then bounce off, so that the poi ends up spinning in the opposite direction to which it started from; and thru-wraps which wrap around a moving body part, so that the direction stays the same but the poi changes the path it is travelling along. Typical targets for a wrap are the arms and legs, although any body part is suitable - one of the more dangerous places to perform wraps is around the neck. Double-neck thru-wraps are perhaps the most dangerous move that can be done with fire poi, due to the risk of the poi tangling.

Flowers

Flowers are a simple but visually impressive set of moves in which the poi spinner fully extends their arms and moves them in circles around the body while spinning the poi. When done in time this gives rise to a series of loops around a large circle, which look like the petals of a flower when viewed from the side.

Further tricks

Isolations refer to a class of moves where the poi handle is also spun in a circle. "Perfect" isolation occurs when the poi handle and poi are moving in the same circle, and can usually create distinctive synchronised moves (e.g. cranks). Hyperloops are where the poi ropes becomes entangled (twisted up) and then untangled, keeping the ends spinning the entire time. Advanced spinners are also able to spin their moves in places such as behind the back and between the legs.

Poi construction

Fire poi in action (long exposure)

Many poi spinners, amateur and professional alike, prefer to create their own poi. A simple pair of practice poi require little more than a pair of socks and a couple of tennis balls. More impressive poi can be made from a multitude of different materials. Kite cords are lightweight and readily available. Chain is a more durable alternative to regular cord. Ball chains can rotate freely so as to prevent tangling, and metal cables can make for extremely fast poi. Long socks can also be used with a weight in one end and a knot in the other. More advanced spinners may add a weight to the handle, in order to improve their ability to perform advanced techniques (such as throws and contact poi).

Kevlar wicks and a variety of poi heads can be bought either from juggling shops or online, and a number of different kinds of hand grip are available too. This way a performer can customise their poi to suit their own personal preference.

Some related performance arts

Following are a number of arts from different cultures that bear an affinity to poi. Altogether these disciplines (along with more familiar circus skills such as juggling, diablo and devil sticks) are often referred to as Object Manipulation.

Staff

Staffers are one of the largest factions in the juggling community. In a similar way to poi spinners, staff spinners use one or two staffs to make a variety of patterns. Staffs, being large blunt objects, are known for being slightly more dangerous than poi when beginning, but many find they prefer staff tricks once experienced. Many similar techniques can be employed to those found in martial arts like bojutsu.

Glowstringing

Glowstringing is a similar art to poi, largely developed and advocated by the rave community, before spreading throughout electronic music culture. It involves spinning glowsticks to make patterns in the air at raves or in the club scene. While often mistaken for poi, it is in fact a separate discipline, and the two styles have had some influence on each other. Some people would argue that there is no difference at all between the disciplines as they both use the same tricks and equipment to some extent, only real difference is the scene.

Club swinging

Using regular juggling clubs, the head of the club can be held in the palm, and the club swung in poi-like patterns. Many poi moves can be attained this way, and as clubs can be stopped at any point of their swing, or swung as slowly as you like, some poi spinners find them useful in learning more difficult poi moves in 'slow motion'. Club swinging is, however, a completely separate discipline with its own techniques and performers.

Sword spinning

Taking influence from the sword displays of the Shaolin monks, some performers learn to do tricks with swords. Swords require a lot more suppleness of the wrists, but can be far faster and more dramatic than poi performances. Practicing with bokken (Japanese wooden practice swords) or simple wooden staves is advisable, but when a performer is skilled enough, fire swords can be bought and constructed.

Nunchaku

Nunchaku, as popularized in the media by actor Bruce Lee, employ many similar techniques to poi. While originally a weapon, some companies now produce LED-lit nunchaku which can be used to create unique patterns in performances, though nunchaku remains (and is often regulated as) a weapon.

Meteor

A meteor (known to martial artists as a meteor hammer or meteor fist) is long rope, weighted on both ends, often with a monkeyfist knot. It can be used similarly to poi as well as a staff, by keeping very precise timing so that the two balls exert equal centripetal force on each other and move in sync. Originally a Chinese weapon, meteor are extremely difficult to control. Fire meteors and other variations of this tool also exist.

Safety

Depending on their construction, poi can strike the user (or bystanders) with enough force to cause bruising or minor injury. Fire poi can cause burns because the metal parts become very hot and have a very high heat transfer coefficient. The actual wick has a lower coefficient and is less likely to cause burns, but it can spray or spread fuel and the performer's clothing can catch fire. Costumes for fire spinning should be made of non-flammable materials, such as cotton and leather. Synthetic fibers tend to melt when they burn and can cause very severe burns.

Fire poi require a safety regime to deal with the risks of setting on fire either the user, bystanders, or the surroundings. All fire performances should have a sober, rested, and alert spotter who has access to a fire extinguisher (for putting out material and fuel fires), a damp towel (for extinguishing burning clothes and for extinguishing fire toys at the end of a performance), and a bucket of water (in case a clothing fire gets out of control). The fuel dump should be a metal container located far from the performance area that can quickly be sealed so as to be airtight. This will provide a means to extinguish a fire in the fuel dump. A paint can is an ideal example.

See also

• Fire dancing
• Juggling
• Circus skills
• Glowsticking
• Diabolo

References

• Finnigan, Dave (1992). The Zen of Juggling. Human Kinetics Europe Ltd. ISBN-10: 0961552158 & ISBN-13: 978-0961552152

External links

• Maori.org.nz Traditional Māori poi performance
• Home of Poi One of the largest and most influential poi communities in the world.
• Spherculism~ Advancing the moving arts
• Tribe.net's Art of Poi Forum, photo gallery, and event calendar.
• Fire Poi World-wide fire poi trainers & performers.
• PlayPoi Poi website featuring videos and photos, both artistic and instructional
• Do More Poi Poi Lessons, Forums, Funkiness.
• Poi Poi Tuition Resource Downloadable Poi lessons, and an active poi community
• Research in New Zealand Performing Arts - a free online research journal that discusses Maori music and related performing arts.