Difference between revisions of "AY Honors/Card Making/Answer Key/es"

From Pathfinder Wiki
< AY Honors‎ | Card MakingAY Honors/Card Making/Answer Key/es
(Created page with "Especialidades JA/Arte de hacer tarjetas/Respuestas")
 
(Created page with "{{clear}}")
Line 39: Line 39:
 
<noinclude></noinclude>
 
<noinclude></noinclude>
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 1g -->
 
{{CloseReq}} <!-- 1g -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=1h}} <!--T:9-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=1h}} <!--T:9-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
Simple die-cutters that can cut out specific shapes.  Small hand-held punchers are best for younger card-makers or simple projects. There are also sophisticated systems & industrial sized die-cutters that come with all sorts of patterns and punch out the shapes for larger scaled projects or for more advanced card-makers.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 1h -->
 
{{CloseReq}} <!-- 1h -->
 
{{CloseReq}} <!-- 1 -->
 
{{CloseReq}} <!-- 1 -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2}}
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2}}
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
+
<!-- 2. Describir cómo por lo menos tres de las siguientes clases de papel se usan en hacer tarjetas: -->
<!-- 2. Describe how at least three of the following kinds of paper are used in card making: -->
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2a}} <!--T:52-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2a}} <!--T:52-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
Glossy card stock is great for backgrounds and accents. Remember, many markers and inks don't adhere to glossy surfaces as well so you need to make sure the ink dries. Glossy card stock is great for punching out shapes or can be "treated" with different methods for unique textures and coloring.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2a -->
 
{{CloseReq}} <!-- 2a -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2b}} <!--T:11-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2b}} <!--T:11-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>  
</noinclude>
 
Corrugated paper is a wavy or crimped heavy craft paper that is usually found in the middle of cardboard. It makes a great background for layering different sheets and decorations on cards.  Corrugated paper gives cards an extra dimension/height.
 
</div>  
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2b -->
 
{{CloseReq}} <!-- 2b -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2c}} <!--T:12-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2c}} <!--T:12-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
Mulberry paper and other similar fibrous, delicate handmade papers are ideal for backgrounds and boarders. Their unique texture and patterns also make these specialty papers good for layering and accentuating embellishments, lining envelopes or wrapping cards as sleeves. The best way to cut mulberry and similar papers is by TEARING (run damp paint brush along paper using ruler as guide then hand tear) methods, this way the fibers give the edges a softer, more natural, organic look.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2c -->
 
{{CloseReq}} <!-- 2c -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2d}} <!--T:13-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2d}} <!--T:13-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
This sheer, translucent (some say transparent) craft paper is a good way to add dimension or layers to cards and gives cards a "cloudy or dreamy" look, most often used in wedding invitations. Some vellum can be printed on, others don't hold ink well so be sure to check before putting into printers or start stamping/writing on them. Vellum works like parchment paper and is great for tracing if you have a light box or for stenciling. Because of its crispy nature, vellum is also used in making cut-outs. Vellum envelopes and card-sleeves give cards a classy finish. Vellum can also be used for a transparent base card with front embellishment placed to hide the inside message.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2d -->
 
{{CloseReq}} <!-- 2d -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2e}} <!--T:14-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2e}} <!--T:14-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
scrapbook paper can make quick and easy backgrounds for your cards, and make very attractive cards in a short time.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2e -->
 
{{CloseReq}} <!-- 2e -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2f}} <!--T:62-->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=2f}} <!--T:62-->
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
</noinclude>
 
Don't throw away your gift wrap! Treat wrapping paper like you would any printed scrapbooking paper. They can be used as borders and backgrounds for your cards. You can also cut out designs or images from the wrapping paper, glue on to card stock and with the help of foam tape you can make unique embellishments,  or add decoupage to your cards as they often have repeating patterns.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 2f -->
 
{{CloseReq}} <!-- 2f -->
 
{{CloseReq}} <!-- 2 -->
 
{{CloseReq}} <!-- 2 -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=3}}
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=3}}
<noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>  
</noinclude>
 
<!-- 3. Name four different types of ink pads and describe how they are used. Demonstrate proficiency in using at least two of them in a practice project. -->
 
Ink pads vary depending on the type of ink you choose. Here is a description on the basic types of ink.
 
</div>  
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
{{clear}}
;Dye-based ink: Dye-based ink is a good choice for many kinds of paper. It's permanent and has a watery consistency, meaning it dries quickly. Most are not waterproof, which means you can’t color stamped images with paint, pens or other water-based coloring tools because the ink will run together. Tip: Colored pencils work well. Many dye-based inks are acid-free, but will fade with time and too much exposure to sunlight. Avoid using on mulberry paper, since this type of ink will bleed on very absorbent paper.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
{{clear}}
;Pigment ink: Pigment ink is thicker and richer and is more like mayonnaise. The colors are bright and vibrant and the ink pads are spongy. They’re fade-resistant. Pigment ink doesn’t soak into paper like a dye-based ink and does the opposite --it dries on top. Because of this, the ink needs more time to dry on regular paper, but the advantage gained is that it produces more vivid colors. Please note that pigment ink will NOT dry on glossy paper. If you really want to stamp pigment ink on glossy paper, you will have to heat-set it with an embossing gun for it to dry. Because pigment ink stays wet for so long, it’s perfect for heat embossing!
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
{{clear}}
;Embossing ink: Embossing inks are used to stamp an image before heat-embossing. They come as inkpads in clear or tinted ink or as embossing pens. The pens make it easy to select details to emboss in a stamped image, add or remove details or to hand draw your own image or message to be heat embossed. eg. modify a stamped message from "my..." to "our..."
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
{{clear}}
;Distress ink: Distress inks are well known for their soft colors and special ''"alterable"'' possibilities. Distress ink stays wet longer than other dye-based ink pads, so you can blend and shadow with water or other inks. Tap some on a paper, then spritz it with water and watch the colors spread.
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
{{clear}}
;Specialty inks: '''StazOn®, Alcohol Inks, Rainbow Pads, Sparkling Ink, Indian Ink, etc. '''
 
</div>
 
  
<div lang="en" dir="ltr" class="mw-content-ltr">
+
<noinclude></noinclude>
<noinclude>
 
</div></noinclude>
 
 
{{CloseReq}} <!-- 3 -->
 
{{CloseReq}} <!-- 3 -->
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=4}}
 
{{ansreq|page={{#titleparts:{{PAGENAME}}|2|1}}|num=4}}

Revision as of 14:42, 26 April 2021

Other languages:
English • ‎español
Arte de hacer tarjetas

Nivel de destreza

1

Año

2010

Version

29.11.2024

Autoridad de aprobación

Asociación General

Cardmaking AY Honor.png
Arte de hacer tarjetas
Artes y actividades manuales
Nivel de destreza
123
Autoridad de aprobación
Asociación General
Año de introducción
2010
Vea también


1

¿Cómo se usan los siguientes suministros en hacer tarjetas?



1a

Cartulinas



1b

Rotuladores



1c

Tijeras (regulares y decorativas)



1d

Decoraciones



1e

Sellos de goma



1f

Acuarelas, lápices de color y crayones



1g

Almohadillas de tinta



1h

Perforadoras




2

Describir cómo por lo menos tres de las siguientes clases de papel se usan en hacer tarjetas:



2a

Cartulina brillante



2b

Papel corrugado



2c

Papel japonés (Washi)



2d

Vitela



2e

Papel de recortes



2f

Papel de regalo




3

Nombrar cuatro diferentes clases de almohadillas de tinta y describir cómo se usan. Mostrar competencia en usar por lo menos dos de ellas en un proyecto.



4

Describir cuatro métodos de colorear una imagen estampada y demostrar por lo menos dos de ellos.
  1. basic coloring in using colored pencils or markers
  2. chalking
  3. painting in the colors
  4. filling in image with pigment powder or glitter (use glue first to hold on to paper)

5

¿Qué significa el término monocromático?

Monochromatic means using only one color in different tints, shades and tones.

6

¿Qué es arte en esponja y cómo se usa en hacer tarjetas?

A method of adding color and texture to your card stock. Use different sponges (cosmetic or sponge daubers), cut and dip into ink then dab sponge on to paper. Sponges will create different patterns and effects.

7

¿Qué es repujar y qué materiales son necesarias para esta técnica?

Dry embossing or relief embossing, is a paper decorating method that creates raised patterns on the surface (your card stock) you are embossing. These patterns are made by tracing a stencil with a special tool, called a stylus. They will need:

  • Light Box
  • Stencil
  • Masking Tape
  • Card Stock
  • Stylus

Alternatively place card stock in an embossing folder and run it through a die cut machine.

8

Mostrar el cuidado y la limpieza apropiada de sellos de goma y el almacenamiento apropiado de almohadillas de tinta.

In the club we set up a rubber stamp care station for kids to demonstrate cleaning the stamps they used during our card making time.

FOR CLEANING STAMPS, you will need: a roll of Paper Towels (Viva brand is great because it doesn't leave tiny fibers) a spray bottle with water a spray bottle with gentle detergent or dish soap diluted with lots of water a couple of trays lined with paper towels for drying & catching excess water

FOR STORING INK PADS, you will need to decide what your storage unit of choice will be. Here are some options:

  1. deep cleanex box, cut out a portion of the box so you can stand on its side (lengthwise, like a tower)& easily stack ink pads in.
  2. old cassette organizer/shelf (thrift stores might still have em!)
  3. fancy, expensive store bought shelves
  4. DIY inkpad foam holder -- there are several patterns and designs online, most use foam boards that you cut and glue to make shelves.

Depending on your ink type, you may want to explain that some folks turn their pads upside down so that the ink will stay closest to the top of the sponges and are ready to use right away. PIGMENT and sloppy inks are better left right-side up so they don't drip on to the lids. the key is ALWAYS --

(1) KEEP YOUR PADS LIDS ON; (2) lay your pads FLAT so the ink doesn't run around and smudge (esp. on rainbow and multiple colored pads).

9

Describir y demostrar cómo usar dos de los siguientes en un proyecto:

THESE ARE DIFFERENT TYPES OF ADHESIVES or "Stick-em on"-ers. There are tons of adhesive options out there that have various effects on your cards dimensions & embellishments.

9a

Puntos de espuma

lifts embellishments you are sticking on so they "pop up"

9b

Cinta de espuma

SIMILAR TO FOAM DOTS but can be for bigger items, lifts embellishments you are sticking on so they "pop up"

9c

Cinta de doble cara

Flat adhesive, great for photos and thin or lightweight embellishments. Best method for attaching ribbon to cards.

9d

Cinta adhesiva permanente (tape runner)

great for boarders and for adhering two sheets together

9e

Puntos de pegamento

invisible way to stick embellishments and hold sheets together

9f

Cinta Washi

-a decorative way to adhere things to cards because of the varieties on patterns and designs -can also be used for trimmings and boarders


10

Hacer una lista de cinco razones para hacer tarjetas.

11

Hacer tarjetas para cumplir con tres de las razones descubiertas en el requisito 1. Durante la creación de su tarjeta, demostrar por lo menos tres de las siguientes técnicas:


11a

Estilo monocromático

11b

Con espuma

11c

Dos técnicas de colorear imágenes estampadas.

11d

Una tarjeta usando por lo menos dos tipos de papel

11e

Una tarjeta usando decoraciones, puntos de espuma u otros materiales alistados en el requisito 9.

11f

Una tarjeta usando un método de su elección.

See guide to each technique above


12

Hacer lo siguiente:

12a

Exhibir sus tarjetas en una reunión de Conquistadores, Sociedad de Jóvenes, un grupo de jóvenes u otro evento similar.

12b

Dar por lo menos una de las tarjetas a alguien más como parte de una obra misionera, un evento de compartir su fe o evento similar.

The most enjoyable part of making cards is giving them away, so go bless some people. If you create 5 postcards and send them, you also fulfill one of the practical requirements of the Postcards - Advanced honor.


13

Leer los siguientes pasajes (preferiblemente en un grupo) y discutir las similitudes/diferencias entre los saludos de estas tarjetas y los saludos de las tarjetas de felicitaciones de hoy en día:

"So, my brothers and sisters, be strong and stead, always enthusiastic about the Lord's work, for you know that nothing you do for the Lord is ever useless." -- much like an encouragement card or a morale booster

"Final Greetings: Tychicus, a much loved brother and faithful helper in the Lord's work, will tell you all about how I am getting along." In biblical days letters were hand delivered and often read to or sometimes recited word for word to the recipient (much like singing tele-grams!). Here is an example of how Paul doesn't even bother to tell his readers how he is and lets his messenger do it! Our modern day cards are usually how folks update each other on the latest happenings in each others lives.

"Greetings from Paul: This letter is from Paul and Timothy, slaves of Jesus Christ." This resembles a letterhead on a formal letter where you write the address and position of the writer. We usually don't need to add our titles on to greeting cards unless it is an official or business correspondence.

"So, don't be misled, my brothers and sisters...be quick to listen, slow to speak, and slow to get angry." This passage from Paul gives us advice on how to act or re-act. Not many cards actually give sound advice these days, usually if and when a card gives advice its out of humor.

"This letter is from Paul, in prison for preaching the Good News about Christ Jesus, and from our brother Timothy." Paul signs his name and identifies who wrote it at the BEGINNING of his letters & ends with his wishes and prayers for the reader. Traditionally, we sign our cards at the bottom or end of the message & place greetings/blessings/well-wishes at the front.


References

contributor: ArniLynne Tupas-Setser, New Hope SDA Nighthawks, 2014.