Especialidades JA/Encuadernación/Respuestas

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Encuadernación

Nivel de destreza

3

Año

1935

Version

28.11.2024

Autoridad de aprobación

Asociación General

Bookbinding AY Honor.png
Encuadernación
Actividades vocacionales
Nivel de destreza
123
Autoridad de aprobación
Asociación General
Año de introducción
1935
Vea también


1

Ser capaz de identificar los siguientes términos:


1a

Borde lateral interior de la portada


1b

Centro de páginas



1c

Borde inferior de la portada


1d

Volante


1e

Cuadernillo/sección



1f

Mull/pulverizar


1g

Columna


1h

Cabeza


1i

Pie


1j

Borde rústico


1k

Guardias



1l

Cinta capitel



1m

Ensamblado


1n

Tela bocací (bucarán)




2

Describir la diferencia entre los siguientes métodos de encuadernación:


2a

Encuadernado perfecto


2b

Encuadernado duro


2c

Cuadernillo sencillo (uno solo)


2d

Espiral (metal y plástico)


2e

Puntada de silla (cosido)




3

Realizar lo siguiente:


3a

Encuadernar un solo cuadernillo a mano.



3b

Encuadernar un libro en blanco utilizando al menos cuatro cuadernillos y una encuadernación de tela permanente con tapa dura, utilizando un método de «ensamblado».



3c

La forma correcto de «domar» una encuadernación nueva.



3d

Hacer una «cubierta deslizante» para el libro en blanco de cuatro cuadernillos.




4

Identificar y describir los usos de las siguientes herramientas de encuadernación:


4a

Hueso doblador


4b

Prensa



4c

Aguja plegable



4d

Punzón



4e

Marco de coser


4f

Tarjeta cuadrada



4g

Perforadora




5

Definir la diferencia de gramaje del papel en relación con una resma de papel.



6

Describir el color y las propiedades de los tres tipos de adhesivos utilizados en el proceso de encuadernación y dónde se utilizan:


6a

Pegamento caliente derretido



6b

Pasta de ensamblado



6c

Pegamento de resina




7

Conocer y hacer una lista de las cinco principales etapas de la encuadernación a mano.


7a

Preparación de los cuadernillos



7b

Costura de los cuadernillos



Note that the photographs show a very dark thread being used. This was done to make the thread easier to see for the purpose of illustrating the techniques. When binding your book, you will want to use white thread so that it won't be easy to see in the finished book. Begin stitching by passing the needle and thread through the fold from the outside to the inside. It will be easier to make the hole from the inside of the fold with either an awl or the needle, but the thread should pass from the outside to the inside. This stitch should be made near the edge of the page, but not too near the edge. Leave a couple of inches of thread so you can tie it off when all the sewing is done. Then pass the needle back through the fold so that it comes out on the other side of the cloth tape. Do not run the thread through the tape. Pass the thread over the tape and back into the fold again. Repeat this process until all the tapes are sewn to the signature. Then slip the next signature between the tape and the first signature. Catch the previous stitch as shown in the photograph, and begin stitching the second signature.

Making pilot holes in the signature
Catching the Previous Stitch

Use the same technique for it as for the first signature. Stitch in the rest of the signatures, tighten the thread, and tie it off.


7c

Empaste de la parte posterior


If you use weights to compress the signatures, be careful not to glue the weights to the book's pages. The idea is to squeeze the pages together as tight as possible while the glue sets.

If you use wooden boards and C-clamps, sandwich the pages between the two boards and clamp them together with the C-clamps.

If using a shop vise, be sure to pad the vise's jaws so you do not damage the pages. The glue will strengthen the spine and adhere the threads to the pages.

Glue-up the Spine
Pressing the Text Block

The finished product from this stage is called a text block.


7d

Fijar las tapas (cubiertas)


Next, get some heavy cloth or heavy paper - whatever you want to use as the outside surface of the book cover. The remainder of this discussion assumes a cloth cover. Lay the boards on the cloth with a gap between them. The width of this gap should be equal to the width of the text block's spine plus triple the thickness of the boards (three eighths of an inch). Mark the cloth around the boards leaving about a one-inch border. Cut the cloth, and then clip the corners to within a quarter inch of the corners of the boards:

Laying out the cover

Coat the outside surface of the boards with a thin, even layer of glue, lay them on the cloth, and stretch the cloth smooth. Be sure the gap between the boards is as wide as the text block's spine plus three times the thickness of the boards. Glue a strip of cloth across the spine, bridging the two boards. You may also glue a piece of card stock on top of this strip of cloth to further strengthen the spine. If you do not have card stock, a manila folder or an index card can be pressed into service instead. This strip of card stock should be as long as the text block's spine. Be careful not to glue the cover to your worktable. Ideally, you do not want any of the glue to penetrate the cloth cover, but just in case, you may wish to place a large piece of plastic beneath the cloth when doing this (use the lid from a large plastic storage tub, a plastic bag, or cellophane wrap). Now place as much weight on the boards as you can muster and leave it there until the glue dries.

Attach the Covers

When the glue dries from the previous step, remove it from the press (or remove the weights from the cover) and apply another thin layer of glue to the inside of the book cover. Then fold the top of the cloth cover over and glue it in place. Do the same for the bottom, and then fold over the left and right sides.

Get some wax paper or some plastic and insert two layers of it beneath the first page of the text block. Apply a thin layer of glue around the edge of the paper using a small paint brush. It's OK to brush the glue onto the wax paper. Cover all four edges of the text block, and then add a little more glue to hold down the tapes. Spread out some more wax paper and turn the text block over onto it. Repeat the processes for the back of the book, adding glue to the edges of the page. When you have coated the edges of the back page with glue, remove the layer of waxpaper that the glue was brushed onto, but leave the first layer of waxpaper in place. This layer will prevent the glue from bonding to the next page and keep moisture out of the rest of the book.

Now carefully lift the text block and place it on the back cover. Be sure to center it well. If you misalign it, carefully lift it off and make another attempt. Now fold the front cover closed onto the front page and make sure the text block is well centered. Finally, place the book back in the press again (or under a heavy weight) and shape the spine as best you can. Then let the glue dry. Don't be impatient at this point. If the book still smells like glue when you're ready to remove it, it is still too soon, and removing it will cause the pages to wrinkle and curl.


7e

Acabado





Nota histórica

La especialidad de Encuadernación fue introducida en 1935 y descontinuada en 1951. Fue reintroducida como una «especialidad de antigüedad» en 1986. Fue revisada y regresada a la categoría Vocacional en 2002.

Referencias